About e. v. Empey

Mr. Empey is the type of guy who prefers English style in the winter and Italian style in the summer. Or at least he used to. Now he's uncertain where he stands, since he travels a lot and has to visit a fair number of places where Americana workwear would be the best option. His appreciation of menswear stems more from a love of artisanship, so naturally, he also appreciates other crafts including cocktails and quality cuisine.

Review: GIIN Boutonniere Flower

GIIN will be part of the Styleforum Maker Space this January at Pitti Uomo. The Styleforum Maker Space is a combination pop-up shop and wholesale space, geared towards exhibiting fantastic small brands and makers to Pitti’s influential and knowledgable visitors for both wholesale and retail.The Maker Space runs from January 9-11, 2018.


When I was told that I would be writing a review of a boutonniere, several questions formed in my head, but instead of inquiring about the product, I just said “okay.”

Why bother with a series of questions when all they want me to do is write a review? Because boutonnieres are usually associated with weddings and are live flowers, I wondered to myself what it could be that I would be reviewing. And I figured, if I didn’t know anything about the product, I would be less judgmental when I received the item.

I put this to the back of my mind because I’ve been traveling often, only to come home and find the postman with that small nondescript package for me. Perhaps this is the way all reviews should work: the reviewer should be given something in order to look at it without any a priori knowledge, assumptions or requests.


You can imagine my surprise when an unexpected little bubble wrapped envelop was given to me by the postman. The package looked like it came from one of the Alibaba solicitors shipping their wares into the United States at a discounted penny-rate; I opened this international parcel to find a lovely box from GIIN, a Styleforum affiliate whose motto is “Elevated Essentials.” Inside the box was a flower, poignant and pristine, with a few of the leaves showing the small delicate imperfections that one can find on flowers in the wild. Yet the flower itself, however ephemeral originally, looked somewhat at home in the box, radiating a sort of delicate beauty as it was now shaped and formed into a more permanent form able to survive being shipment from across the world.

Peter wrote an excellent article on the boutonniere that discusses how and when to wear one, as well as the value of real flowers. However, there is something positive to be said about these new alternative boutonnieres-flowers that will neither wilt nor decay, preserving their very nature and beauty indefinitely. GIIN markets these boutonnieres as a form of “Enduring Elegance,” and I could not agree more. These artisanal flowers retain a sense of two of the most important concepts in nature – imperfection and beauty.

 

Many of you have probably heard of the Zen-Buddhist concept of wabi-sabi, an aesthetic ideal that places value on the impermanence of objects shown by their use over time. While wabi-sabi is all the rage in a lot of menswear concepts, illustrated by a love for foxed shirt collars or natural patinas on leather, this flower does not work in that aesthetic framework as it is frozen in time. However, the Japanese have another framework that is quite apropos for GIIN’s artisan boutonniere: kire.

In Japanese aesthetics, kire, or “cut,” is a concept in the Rinzai School of Zen-Buddhism rooted in the teachings of Hakuin Ekaku (1686-1768). Zen master Hakuin believed that the nature of oneself is only understood once one has cut the root of their life; in other words, you let go of something completely, only to have it die and return again to life. These flowers, which have been taken from nature at the height of their glory, have been disassembled and recreated outside of their ephemeral nature, only to be positioned reborn as an object that exists in perpetuity. Rather than being beautiful for the sake of its impermanence (another aesthetic concept known as mono no aware, or the “pathos of things”), GIIN’s flowers are ascribed elegance as it lives after death.

GIIN crafts these flowers by hand, taking miniature rose petals that have been treated carefully, by arranging them into the shape of a small rose on the end of a pin. The pin has a small safety cap, so after running it through your lapel (or through the buttonhole), you can pin the flower to your lapel as you would a normal boutonniere. The flower looks – and in many ways probably is – delicate (I wouldn’t go in for a giant hug only to crush your lapel), yet it is simultaneously resilient seeing as it stands outside of the flow of time.

There is a lot of merit to having a flower that withstands decay, i.e. serving as a memento. I personally think my spouse would have appreciated it if I had given her one of these for our wedding; something that could be used later when we have an anniversary dinner, serving as a continuous symbol of our love.

It is appropriate then to understand GIIN’s boutonniere in the framework of kire seeing as how that concept is tied closed to the floral arrangement art of ikebana, literally “making flowers live.” GIIN has created a wearable version of an ikebana arrangement by ascribing life to the flower after its death through the processes used. It serves as a living flower, bringing a little flair and life to an outfit, despite being dead. It serves as a reminder of the various life events during which you wore it. Their miniature rose flower, lacking any sort of roots to ground it in nature or to keep it fresh, still looks at home regardless of wherever it is, their ethos becoming a symbol of enduring elegance in a world of impermanence.

GIIN’s boutonnieres are available now for $95


This is not sponsored content. To read Styleforum’s review policy, please click here.

The Best Ties For Summer

Even though most of us dread the unbearable humidity and heat that comes with summer, we still need to dress professionally. While we can likely endure wearing year-round or three-season suiting in air conditioned offices, the clothes that tend to bring us the most joy in summer – as in winter – are those made from fabrics specific to the season. Our garments for summer can be as particular, as interesting and as beautiful as those for winter, in that they have different characteristics in make, color, weave, and the like. However, in order to complete the outfit, you still need the right accessories; only then will you ensure that the ensemble is complete.

Fabrics for summer ties are similar to those for our garments. While there are ties that can work all year long, or for most seasons – grenadine, silk rep, printed silk all come to mind – you might want to add a little seasonal variation by adding an interesting element into an outfit. Just as is the case with an odd sport coat, crunchy or slubby textures, open weaves, or unstructured designs all help make a tie more summer-friendly. Playing with color, as you would with said odd jacket, also helps a tie to be more appropriate for warm weather – pastels or subdued neutrals work well for summer. Personally, I enjoy a six or seven-fold tie for less structure, especially when paired with a more open weave, such as grenadine in a light but muted blue or green. It gives it a sort of nonchalant look that works for most occasions, excepting the most formal or serious business meetings.

Shantung, or tussah silk, offers a slubby texture that helps bring an informal element to the tie. This is a wild silk that is obtained from silkworms that feed on leaves in an uncontrolled environment; because there is less control over the process, the silk worm hatches to break the filament length, creating shorter and more coarse fibers, which provides a more ‘matte’ look.

Ties made of linen or linen blends have the benefit of inherent slubbiness, but they wrinkle easily. They do retain that crisp nature that all linens share, which allows these fabrics to drape well especially when lined. Just keep in mind that they work best for less formal outfits, and work especially well when paired with linen or cotton suits.

Cotton and cotton-blend ties are similar to linen, serving as a more relaxed option. They tend to wrinkle – like linen – but do not have that crisp characteristic; this means that they exhibit less of an elegant drape. I recommend cotton ties for the most relaxed environments, and they would be at home more with an odd jacket or a cotton suit.

Here is a list of some examples for summer appropriate ties that we think are worth considering, and a few tips on how to pair them.


This tan shantung silk tie from Calabrese 1924 via No Man Walks Alone provides a classic stripe, but the subdued, neutral tan and the slubby fabric help to make it more of a summer affair. This self-tipped tie provides a structured neckpiece that could work in most occasions.


liverano summer tie

This Liverano&Liverano seven-fold silk tie is the epitome of a tie for the more conservative striped style. The colors scream Ivy League (if you ignore that the direction of the stripes are European instead of American), and it begs to be worn under the staple hopsack blazer in everyone’s closet. The orange almost evokes that quintessential go-to-hell attitude that you might not dare pull off with colored trousers.


drake's tie linen summer

This tie from Drakes features tussah silk in a natural color. Paired with an odd linen sport coat, the tie would wear well, seeing as it has hand rolled blades and less structure than a normal tie.


seersucker tie vanda fine clothing summer

How many times in your life have you seen a seersucker tie? This gorgeous muted green tie from Vanda Fine Clothing is extremely neutral, and would pair lovingly under blue, tan and brown jackets. The handrolled edges and light lining complete the nonchalant air.


vanda oatmeal tie summer

This tie made by hand from Vanda Fine Clothing out of Solbiati linen is a great warm weather accessory. The texture and wrinkles with the classic Glenplaid pattern and subdued neutral colors makes this an exceptional tie under a wool-fresco or linen jacket.

A Review of Lanieri: Su Misura Suiting

Note: for a limited time, Styleforum members can take 200$ off a new Lanieri suit by using code STYLEFORUM200 at checkout! This offer is only good from 5/19/2017 – 5/28/2017. Visit Lanieri to make your order.


Although I buy a lot of stuff online, with clothing I’m usually hesitant unless the place has a good return policy or I know how it will fit. I especially don’t want to deal with the difficulties of returning clothes internationally. So I usually just go with makers that I know – probably like most of you do as well. However, sometimes I have placed online orders through online Made-to-Measure manufacturers in pursuit of a specific style, fabric or pattern.

I had often seen Lanieri online, and had also spent some time browsing through their thread on Styleforum, in which Riccardo Schiavotto – one of the founders of Lanieri – showcases the expanding range of options that their company offers. Browsing their website and the thread, they make clear that they manufacture 100% Made-in-Italy garments. They use fabrics from prestigious fabric mills and merchants, including Reda and Vitale Barberis Canonico (both of which are investors in Lanieri), which provide choices for a wide range of tastes and budgets. They use a well-established Italian tailoring house to make their garments in northern Italy, and the cutting, stitching and finishing of the garment is done entirely with Italian labor. More or less, Lanieri is trying to remind their customers that – like food – Italians still take style and quality in manufacturing seriously.

Their attention to detail extends to customer service and marketing. On Styleforum, Riccardo listens to the concerns and feedback from the community, answering questions about the manufacturing or materials, while also working to incorporate more customization. For instance, Riccardo has pointed out that their pants feature horsehair canvas in the waistband, or that they offer a selection of horn or mother of pearl buttons. He has taken the time to listen to the community, and soon Lanieri will offer full-canvas suiting, sometime by the end of summer (currently their structured jackets feature a true half-canvas).

So when Fok, Styleforum’s owner and administrator, asked me if I’d like to write a review of Lanieri in exchange for a suit, I jumped on-board and said yes. Please note that I am under no obligation to review them in any specific way. My only compensation was a suit of my choice from a selection of their fabric offerings. You can read Styleforum’s Review Policy here.

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Designing a Garment

Lanieri has a number of options that allow you to create your own garment so that it meets your sense of style. Personally, I appreciated the online visualization of the garment, which updates to show the various options you’ve chosen as you design your garment. You receive a feel for the overall look of the garment you’re creating. Of course, you are not able to see or feel the real end product, with all its nuances, until it is in natural light in your hands–but for what it is worth, the visualization gives you a sense of whether you are designing an abomination or your dream suit.

Their buyers vary their selection of fabrics each season, and offer a range of staples in addition to more exciting and more nuanced options. The fabrics have descriptions that showcase a wide range of weights, Super numbers, and weaves. The more interesting fabrics currently include some linen mohair blends, tonal Prince of Wales checks, or wool-silk blends. If all else fails or you need a staple, there is always a range of essential wool suiting.

review of lanieri lanieri su misura lanieri review styleforumLanieri provides peak, notch and shawl collar options, both in more “modern” slimmer lapel widths and wider configurations. Their buttons include a range of polyester, horn, mother of pearl and/or pearlized choices.  I’m a sucker for horn buttons, and would rather get a suit that already has them on it, considering that many ready-to-wear makers do not use them. Of course, you get to choose the interior qualities, including lining style, color, contrast stitching, et cetera.

You can also include any notes you want them to see prior to making the garment. I had opted, after speaking with Riccardo, to go with spalla a camicia instead of their standard suit option, spalla con rollino. If you want spalla a camicia, just put it into the notes. Riccardo has stated that one of the reasons it is only available to those that ask is because most of their clientele don’t seem to like spalla a camicia on account of the extra fabric in the sleeve head. I ended up finding that they sew it with less fabric than what you would see in a spalla mappina.

Ultimately, I opted for a half-lined Solaro suit in a nine-ounce fabric by Drago (you can read about why you want a Solaro suit here) with dark horn buttons, a mélange melton collar and beige lining. The final cost for the garment as made was $920.

After designing the garment, you fill out your measurements, guided by a somewhat campy (but not in a bad way) video featuring instructions on how to measure yourself (or rather, how to have someone else do it for you). Included in the measurements process are qualitative visualizations in order to help them understand your shoulder shape, gut and posture.

Of course, my wife had difficulty measuring, and so we had to repeat several measurements. Lanieri actually reached out to me, stating that some measurements were strange, and to please confirm them. After confirming them (good thing I did…) they sent it off to begin cutting, and the suit’s fate was sealed.

Inspecting the Result

review of lanieri lanieri su misura lanieri review styleforum

Working cuffs, horn buttons.

After a little more than three weeks (my order coincided with a lot of holidays in Italy – Easter, Pasquetta, and Liberation Day, among others) my order was shipped via FedEx International Priority. Two days after shipping, it arrived at 10 AM in sunny California placed in a giant cardboard suit box; they arranged the suit folded on a wooden hanger inside a canvas garment bag. Included were spare buttons, and some information on how to care for your garment, reminding you of the importance of proper maintenance to ensure the quality and integrity of your garment. Personally, it always serves as a nice reminder to treat your clothes well.

Overall, the final product was nicer than I expected; the Solaro fabric by Drago has a wonderful hand, drape and overall color. Living in Southern California, I feared that it would be a bit too hot, but it has a surprisingly open weave. The cupro bemberg (another plus) half-lining helps keep it breathable. The buttons are solid, well shaped natural horn, and the garment has even and durable machine stitching throughout.

Because my jacket and pants are half lined, I opened them up to take a peek. Sure enough, they are using light horsehair canvas throughout the waistband (a split waistband, as the Italians like to use), and in upper half of the jacket. The shoulders have some light padding to assist in drape, and the fusing (running the bottom half of the front of the jacket) is much higher quality than what you would see in most RTW makers. I was impressed with the softness and the quality of the half canvassed garment, providing an extremely nice balance between soft and stiff construction.

review of lanieri lanieri su misura lanieri review styleforum

You can see the lapel roll and the “Spalla Camicia”.

With regards to fit, the jacket fits well out of the box. The shoulders hang well with a fairly good sleeve pitch. I think the sleeve length is spot on (and they have to be, since they include working cuffs). I have narrow shoulders, so oftentimes I end up rejecting off-the-rack tailoring that is either too tight in the chest or too big in the shoulders. The only thing that I would note for a future order is that I prefer my jackets to be cut longer, with most of my jackets averaging about two centimeters longer than what Lanieri chose to provide. Additionally, if they offer higher armholes, I’d prefer that too (the armhole is on par with many of RTW Italian makers) Having lived in Italy, I know the Italians do like jackets to be shorter. And I find this to be acceptable, especially with an informal fabric like Solaro. At least the jacket appears to be covering my ass.

The pants are another matter for me. While they fit in length, the waist was larger than I would prefer (especially with a split waistband since I prefer the waist snug), and the seat could be brought in slightly in order to help it drape better. Additionally, I have a forward leaning stance, so I feel they need to be be cut wider in order for the pants to drape better, since the fabric accumulates on my calves when wearing OTC socks. With shorter socks or no show socks, I don’t have that issue with these pants. I’ve since taken it to my alterations specialist to correct this.

I will note that the garment had a couple loose threads in the seams and that they did forget to include the two rear suspender buttons in the trousers. Both of these are difficult to correct, but it is a minor annoyance.

The good news is that Lanieri wants to ensure that you have a perfect fitting jacket, so they will take into consideration these alterations (you submit a form with the alterations to them in order to get a refund) for future orders, or they will remake your garments if they are deemed uncorrectable. Like any online MTM program, I wouldn’t anticipate getting perfection on the first try, but because Lanieri is invested in keeping you as a customer and making you happy, I think the opportunity here is to build a relationship between client and company.

Price, Quality and Final Thoughts

Lanieri isn’t bargain basement dirt-cheap, but for the price ($920 as ordered), you get quality fabrics, good construction, the ability to design your garment in your style, and Italian manufacturing. Within the range of fabrics that Lanieri offers, they have cheaper and more expensive options (all of which are good fabrics from prestigious Italian fabric mills); this allows you to cover your wardrobe requirements with cheaper work suits or more expensive suiting for special occasions. I think that within the market segment, they offer a product that is certainly capable of meeting your needs, and which also provides you with the opportunity to – eventually – order well-fitting garments in your own style without the hassle of alterations.

Lanieri has a wide range of sales, including ones timed to holidays. These sales provide you the opportunity to get what you may need without breaking the bank. Outside of the sales, Lanieri is worth the price, considering that staple suits from quality makers are hardly ever found in a decent sale. For a reasonable price you can get a good garment that will last you quite some time and suit your needs.

Soon, Lanieri will expand by opening an atelier in New York, providing customers the opportunity to be measured in person and see the quality of sample garments prior to purchase. In addition, with the launch of a new full-canvas option, Lanieri will be placed extremely well as an accessible option within the market for quality made-to-measure menswear.

Note: the Solaro fabric shown in the review – named Riviera on Lanieri’s website – will be back in stock on their website in the middle of June.

 


  • This is not sponsored content, however, Lanieri is an affiliate of Styleforum. To read Styleforum’s review policy, please click here.
  • If you’re interested in browsing Lanieri’s options, you can do so here.
  • To read Lanieri’s Affiliate Thread, please click here.

Shopping Menswear Consciously

 

shopping menswear consciously fashion revolution week styleforum

When you dine at a hip restaurant, they love telling you about the plate and what went into it – the provenance of the meat, the endangered heirloom vegetables, and the hand-harvested produce fresh from the restaurants garden. But it doesn’t stop there. We often can’t help but learn about the goods we buy, especially when buying high quality products. Oftentimes, companies are putting faces to the makers, showering us with images of their workers, the designers, and their facilities. In response, we buy into it–we care that we receive quality food, or that we are having skilled workers make quality, sturdy products.

So is there any reason why we can’t know about our clothing as well? Sometimes we know about who made our clothes or the materials that went into them, but that oftentimes isn’t a factor for why we buy it. Much of the time, we choose clothes because they suit us, because they are a bargain, or because we need it for a certain circumstance. Sometimes we make a choice because of who makes it–but we oftentimes choose it because it’s a specific brand that makes it, not a person.


shopping menswear consciously fashion revolution week styleforum

Ask your favorite brands: “Who Made My Clothes?”

The Fashion Revolution week was born in the UK to commemorate the disaster of Rana Plaza, in which 3639 workers lost their life when the building they were working in collapsed. These people were working in extremely unsafe conditions to produce garments for brands like Primark, Walmart, JC Penney, and Benetton.

The founders of the movement want to raise awareness among consumers and invite them to ask “Who Made My Clothes?” to the brands that they support. You probably came across a few pictures of friends on social media who wore their clothes inside out to expose the label and tagged the brand to ask who made their clothes.

The aim of the Fashion Revolution is to address and raise awareness of consumers shopping at big box stores and “fast fashion” brands. For us clothing enthusiasts, these stores do not make up the bulk of our wardrobe, and rarely make it into our dressers. But sometimes we buy our disposables (underwear, t-shirts, lounge pants) from these stores or places like them. We want to feel like we made a good purchase and to know what we are buying.


With regards to consumption, two questions come to mind: First, how much of the information that we receive about a product is accurate? Second, should we really care about who is making our stuff?

To answer the first question: part of the problem is most of what we consume is the marketing that brands churn out, urging us to buy their products. And brands pick up on that fact, thereby developing more and more marketing campaigns around their producers. They sell to us that they have family providers or old factories. But it doesn’t mean that this information is not misleading; we see products made in Italy that are just “finished” in Italy. We see pictures of excellent working conditions when they are terrible. We hear that the product is “full grain” but in reality the marketing team picked up on the word and doesn’t know what that means. As consumers, we have to be more particular, more critically-minded, and more informed in order to pick apart these marketing campaigns and really determine just how accurate the PR is.

Whatever happened to “union made goods”? There are still plenty of these products, but we don’t seem to care as much anymore. That is in itself a shame. We should realize that economically it makes sense to compensate people accordingly for their time, so that they in turn can contribute to the economy.

This returns us to the second question; the answer to which is yes, we should care. We oftentimes look at small producers and decide that we want to buy from that small producer because we like the quality of their goods; we know that what we are going to get the person stands by their work. Similarly, when we choose to buy from larger brands, we have the power and the right to ask who makes the clothes. By asking this question, we show that we are invested in their product and perhaps these brands will invest more in their labor.

It is important that we become more conscientious consumers. Obviously we should buy goods if we like them, but perhaps we should change our criteria. Instead of buying something because it is the cheapest option, we should budget and buy what is the best option for within our budget. By doing so, we are likely to get better quality goods. Instead of buying something because it’s on sale, we should save and buy things that are more likely to be worn. Instead of buying from a giant chain store and disposing of our apparel when it wears out, we should buy more clothing (or anything at all) of high quality and treat it well. Instead of buying new shoddy crap that falls out of fashion quickly, we can (and many Styleforum members do) find stylish gently used garments that have a long lifespan both in durability and in aesthetic.

By doing this, we not only contribute to slowing down the pace of our apparel consumption, but we also avoid wastefulness. In return, we fill our lives with clothes that we are going to enjoy for a long time, and that will see a lot of use, providing us with satisfaction.

shopping menswear consciously fashion revolution week styleforum

Bowties from Vanda Fine Clothing: each one is handmade in their workshop in Singapore.

Harkening back to days gone by, in which we had tailors make us this or that–we never really had to think about who made our clothes. And for some of us today, we don’t have to do that either, especially those of us buying suiting or classic menswear from smaller makers or tailors. We know that the work is happening on site, we can and oftentimes meet the cutters or the tailors. Even having a garment altered, we see who is working on our clothing. And just think, how much happier you are when you get that garment made just for you, when you see how well it fits. We should still be in awe, seeing a swatch of cloth and seeing the finished product. It’s like magic: that joy in the hearts of both the maker and the recipient should be enough to remind us that from where we choose to buy our clothes matters.

3 Valentine’s Day Cocktails

Visit a bar and meet someone. Go out on a date and enjoy yourselves. Have a couple rounds with your friends. Or–perhaps, alone at home. The options you have for celebrating Valentine’s Day are plentiful, and, should you opt to imbibe, the selection of drinks is far broader than the common choices from which most people select. Here are three classic short drink options for the cocktail aficionado, with names and flavor profiles aptly suited for differing situations and contexts (although you may choose to enjoy them all, regardless of whatever plans for your Valentine’s Day).


The Aviation – it’s the wind beneath your wings

Just getting to know this person? Want to have a few rounds this evening before dinner without feeling remorse? Best to try the Aviation, a light, floral drink with a lot of interesting flavors mingling together.

The history of the Aviation is a long one: originally listed by Hugo Ensslin in this book, Recipes for Mixed Drinks, published 1916, the cocktail called for crème de violette. However, over the years, other ingredients started being used instead, as crème de violette became increasingly difficult to find inside of the USA. Replacements included Parfait d’Amour, Crème Yvette or ultimately blue curacao, used to provide the drink’s characteristic blue hue. For reasons of taste of course, you will likely want to stick with crème de violette, using Parfait d’Amour or Crème Yvette only if you are seeking a cocktail with more citrus or vanilla driven tastes.

The drink is refreshing and light, works well as an aperitif, and also can help to freshen your breath, thanks to the lovely floral scent provided by the violette-based liqueurs. Classically, you would shake the drink (on account of the inclusion of the lemon juice), but if you want to experience the true aromatics in the gin, you can take your time stirring it in order to ensure adequate emulsion and dilution. Note that the precise ratios of this classic recipe are still highly debated, but as we at Styleforum don’t like our cocktails too sweet, we suggest the following:

    • Eight parts dry gin
    • One part maraschino liqueur
    • Two parts lemon juice
  • One part crème de violette

Combine the ingredients in a shaker tin over ice; shake the drink well; serve up in a chilled coupe. Garnish with a Marasca cherry.


The Bijou – or, I couldn’t afford anything from Tiffany and Co.

Just finishing dinner but you need something to relax you further? Or you want to provide a good-looking gem to someone without breaking the bank? Try the Bijou, an herbaceous and heavy cocktail.

Another classic drink, the contemporary Bijou originally appears in Harry Johnson’s Modern Bartender’s Manual (1900). The Bijou, meaning jewel in French, stands strong with a glorious amber hue that entices the imbiber with its smooth mouth feel and attractive appearance. Johnson’s version of the drink is incredibly complex on account of the use of two strong components with plenty of aromatics and layers of flavor (Italian vermouth and green Chartreuse).

The cocktail works better as a digestif, considering the strong body and alcohol content. Historically the drink was made with equal parts, but in the modern day you want to provide a bit less of a kick, so reducing chartreuse and vermouth help to bring the cocktail into the 21st century. Additionally, for this drink, Plymouth gin works wonders, seeing as how both green Chartreuse and Plymouth gin feature coriander, and the creamy body of the Plymouth can extend the already rich mouth feel of Chartreuse and sweet vermouth.

Stirring the cocktail works best, and if your significant other likes strong drinks, this will serve as an excellent nightcap to your most assuredly already enjoyable evening.

    • Three parts Plymouth gin
    • One part Italian (sweet) vermouth
    • One part green Chartreuse
  • 1 dash orange bitters

Combine the ingredients over ice in a mixing glass. Stir the drink to emulsify it well and provide adequate dilution. Strain and serve with a twist of lemon and a Marasca cherry as garnish.


The Widow’s Kisswhen this Holiday just doesn’t suit you

So your evening is spent alone, or you really just want to have a strong drink before bed. The Widow’s Kiss will serve you well.

Likely first published in George Kappeler’s Modern American Drinks (1895), the Widow’s Kiss is a drink that packs a punch on account of the three strong alcoholic components that make up the body of the drink. The drink has seen itself published identically in a few other cocktail guides, including Bill Boothby’s and Harry Craddock’s. As such, despite not being well known, the cocktail serves as a true classic, providing you an interesting drinking experience that is directly a blast from the past.

The Calvados can be replaced with Applejack if Calvados is not available in your area, seeing as how they are similar spirits with similar flavor profiles. Each is a distillate of cider, and both have a wonderful note reminiscent of fall, dead leaves and freshly plucked apples. On the other hand, the Benedictine and the Chartreuse are both historically created by monks, and include numerous herbs and spices that provide strong, memorable flavor profiles that are interesting enough to enjoy neat on their own. Each of these liqueurs have their own notes, but in harmony they begin to exhibit and complement each other, providing a more interesting drinking experience.

The cocktail is incredibly deep and complicated thanks to the herbaceous liqueurs, and the high ABV content of the drink serves well to keep you warm on a chilly night.

    • Two part Calvados (or Applejack)
    • One part yellow Chartreuse
    • One part Benedictine
  • Two dashes Angostura bitters

Pour the ingredients together over cracked cubes of ice in a mixing glass. Stir well, ensuring the drink reaches adequate dilution. Strain, serve up and garnish with a Marasca cherry.


Enjoy your Valentine’s Day, whichever stylish way you imbibe.

e. v. Empey