Examples of My Favorite Menswear Deals When Thrifting

Even though I find myself drawn further and further into the world of contemporary classic menswear, I don’t think I’ll ever leave vintage behind. It’s less about cosplay or wanting to live vicariously in a different age, but it’s more about getting certain details that I wouldn’t be able to find or afford otherwise.

If you’re familiar with my blog or social media, you’ll know that I attempt to bring vintage pieces into a modern context, making them wearable-yet-eccentric pieces. I decided to write about a couple of my most interesting pieces in today’s article and a bit about where I got them.

If you’re new to thrifting and vintage shopping, check out this Guide to Thrift Shopping

Outerwear is probably the easiest one to incorporate since it usually functions as a finishing layer for an outfit. If you go on eBay or get lucky at your local goodwill/vintage store, chances are you’ll find something interesting. One of my most favorite pieces of outerwear is a 1940’s, single-breasted overcoat, made from a brown wool with an extremely faint green windowpane. Made by Curlee Clothiers (a sought after yesteryear brand by collectors), it is half-lined and has a long length, two details seldom seen on modern overcoats. It’s served me during this past California winter and definitely did its job when I visited NYC last December. It really was a lucky purchase at one of the LA vintage stores I frequent; they had just put it out when I walked in!

Another random find was my 1950’s brown leather double rider at the Dapper Day Expo, a community event that celebrates classic style at venues like Disneyland and LACMA. Unlike other 50’s jackets, the one I found was cropped short, lacked any epaulets or “punk” elements, and was generally similar to the ones found in the 1930’s. Despite it looking rather 1930’s to my eyes, the dealer said that due to the nitty gritty details (buttons/zipper/labels) itthe jacket was actually made in the 1950s, making it was way more affordable than a 1930’s buco. In the fall, it has been my go-to casual jacket, perfect to wear with turtlenecks, denim, and flannels.

Wearable vintage tailoring (like jackets and trousers) is a bit harder to find, especially if you’re used to getting things custom, but there are still times when you come across something cool. From Paper Moon, I was able to obtain a pair of 1950’s chocolate brown nubby rayon trousers. Thanks to their full cut and interesting fabric, they make a great summer trouser that is just a bit different than a regular linen or cotton pair. For trousers, I couldn’t pass up a lightweight flannel cinch back, made for college students in the 1950’s when cinch-back chinos were a short fad. You can thank eBay for that one!

One stand out piece that I almost always gets a fun comment is my 1930’s belt back jacket. It’s made in USA, out of a soft, broken-in white linen that has soft construction, making it widely different than a majority of the tailoring in the same era. Despite the bi-swing back and the fact that it’s ventless, it comes across as very contemporary on account of its subtle waist suppression, natural shoulder, and relatively normal sized lapel. It’s become one of my favorite pieces to wear in the summer. It was actually a lucky bid on eBay as similar jackets go for high amounts while it only cost me $200 years ago, purchased with my first paid internship income. I’ll always wonder if it simply passed under other collectors’ radars.

Apart from that linen jacket, I also have a few 1940’s Palm Beach garments: a jacket purchased from Reese’s Vintage Pieces (a guy with the biggest non-warehouse stock, selling out of his Pomona home) and a full suit sold by a theater wardrobe on eBay. This material is inherently special due to the fact that the patented PB fabric (a mix of wool, cotton, and mohair) is no longer in production after the brand was sold and the factory closed; for future reference, anything Palm Beach post-1950s isn’t the original fabric. It’s not really an open weave, but it drapes well and wears pretty cool, offering up a heartier alternative to normal cotton jackets. Like my linen jacket, my PB jackets softly tailored (perhaps even more so) and fit really well with a more contemporary wardrobe. The small detailing like swelled edges, lapel width/shape, and button stance offer the vintage charm that you can’t really find anywhere other than a willing custom tailor. My odd jacket gets plenty of wear, while the full suit (and it’s full cut) only get worn during more appropriate events.

In addition to these summer jackets, I think the obvious “unique” pieces are my collection of tweed sack jackets obtained from eBay, Etsy, and NYC’s own Sean Crowley. Not many affordable makers make interesting checks and plaids in soft shoulders and 3-roll-2 stance, so vintage is always my go-to for fun cold weather jackets. Two are from Brooks: a 1960’s grey/blue plaid and a 1970’s light brown/red plaid. The grey might get more wear than the brown due to the silhouette differences, but my favorite has to be my green check one. There’s no way I’d be able to find something similar without going bespoke. I just can’t wait for it to be cold again!

Of course, I would be remiss if I didn’t talk about the smaller stuff like my sweaters and ties. I have two 1930’s sweaters (that have seen better days) that I think are completely different than the knitwear you find today. Not only do they have a shorter length, which is necessary for high waisted trousers, but there is something about the specific colors and design that mark it something that only vintage could create. There are also a few fun Cuban collar/sport shirts that have gotten plenty of wear during this past hot summer season.

As for my ties, I generally cycle between 1960’s reps and 1930’s brocades, but my favorite one has to be this fantastic blue abstract print/foulard. It was actually apart of a lot of ties I purchased from a local vintage guy; I didn’t even expect to love it as much as I did! Like most ties of the era, it has a short length (again, great for high rise trousers) and a more shapely blade, ending in an untipped edge resulting in a lightweight, unique tie that is unlike any other out there. I often have to stop myself from wearing it too often, not just to prevent repeat outfits, but to ensure that it lasts as long as possible. One of the reasons I love it is how similar it looks to the tie’s you’d expect from Drake’s.

In reality–like many things in life–my favorite vintage pieces are usually the most recent ones that I’ve acquired. It’s always nice to have something that’s a little bit different than the staples that most people tend to recommend, coming with a unique buying experience that feels rewarding after careful hunting. Whether you get a vintage leather jacket, overcoat, or even just a tie, I’m sure you’ll enjoy it. Do you have any fun vintage pieces yourselves? Let us know by commenting below!

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Style Icons: B&Tailor

As I’ve moved forward in my style journey, I find myself looking toward more contemporary dressers for inspiration. There’s nothing wrong with looking at old pictures of Jimmy Stewart or Laurence Fellows illustrations, but the fact remains that those sources are finite!

That’s why I’m drawn to contemporary guys that have a bit of vintage flair, like Bryceland’s. But while they can skew more workwear, the guys at Seoul’s B&Tailor find ways to keep vintage style (across different eras) alive in an elegant and modern way.

B&Tailor and Chad Park were the subjects of one of my first blog posts that covered contemporary style. Stumbling across their account was a big moment for me, as it showed me that there was still a place for high rise trousers, pleats, and wide lapels. Started in 1980 by Jung Yul Park, the brand has already made quite a name for itself, taking fittings all over the world and even creating a casual RTW line called Chadprom, no doubt named after his son Chad. To most of my friends, they are a great source of inspiration and a bit of an aspirational goal for clothing.

It probably helps that Park’s sons Chad and Chang have worked hard to brand the company, with Chad being the face of B&Tailor, expertly shot by Chang for their Tumblr and Instagram profiles. With natural light, somber expression, and fantastic clothing, the pictures rack up engagement on all social media, presenting an almost streetwear-esque way of making clothing look cool. As the brand has grown, they’ve also included more pictures of their other staff, consistently making their associates style icons in their own right. But let’s look at how their style specifically appeals to me.

Like with Brycelands, the vintage appeal comes down to two things: the design of their tailoring and the way they choose their accessories. First, let’s explore the jackets. The jackets are cut with an extended shoulder, featuring a broad chest and nipped waist, echoing the draped figures in the 1930s and 1940s. Of course, this isn’t something new as the English have been doing that for a long time; the real charm is in their lapel treatments.

Their standard notch is quite wide (looks like it approaches over 4 inches), with a notch placed quite low compared to most brands. B&Tailor goes a step further by making the notch’s “mouth” go pretty wide (almost a full 90 degrees) yet without making it go too far into the body of the lapel. The resulting “droopy notch” not only makes the chest appear fuller but it appears to be lifted directly from the detailing on a 30s-40s suit. For their peak lapels, they maintain the width but again place the peak low. While models definitely vary, Chad and the rest of the B&Tailor crew tend to favor a peak that juts out far from the collar, recalling both vintage designs and the treatment favored by Polo Ralph Lauren in its early days. Whether it’s a notch or peak lapel, the lines are accentuated with a slightly lower lowered buttoning stance for a classic look (which is pretty 1940s to me).

The high rise is standard for B&Tailor (a trait that extends to even their Chadprom denim), which is always a sign of classic style. In fact, the rise seems higher than most, appearing to sit a little above the navel. Pleats are also a welcome sight among their tailoring, which when combined with a fuller leg, makes for an “old school” look. Most of the complaints about vintage style usually concern how baggy trousers can look, but luckily B&Tailor ensures that they are expertly tailored, done with a shivering break to prevent pooling at the ankle and a hearty cuff.

While we can talk about the cuts and designs of their suits, the real style comes in how they wear it and how they spruce it up with accessories. If you go on any of their social media platforms, you’ll see that they always prefer long collars, whether it’s pinned, a button-down, or a spread; in general, a longer collar makes for an “older look,” evoking the spearpoint collars. They match their shirts with a variety of great sevenfold ties, in foulards, abstract prints, and colorful stripes. Like I said before, wearing these with a striped shirt brings to mind the styles of the 1930s-1940s where there was a lot of similar styling. The look can be a bit bold for some (especially compared to the minimal approach from Brycelands), but they carry the look with confidence.

They also have a few novelty pieces that I feel are directly lifted from casual 1940s-1950’s styles. One example, in particular, is their Hollywood waist trousers, complete with “dropped loops”. This design, which is essentially a continuous waistband with loops placed fractions of an inch below the top, was a trend in the mid-1940s until the 1950s, worn by young men with extremely thin belts. It strikes me as particularly interesting move since most gentlemen today prefer suspenders or side tabs for keeping their trousers up.

Keeping with this casual vintage design, they’ve also done a few runs of cuban collar shirts, which have been increasingly popular during the past year. While they are technically known as cuban collars to most, I’ve always called them “loop collars” since vintage pieces have the top button fastened via a loop rather than a normal buttonhole cut into the fabric. They wear them their tailoring, which makes for a cool, sartorial-casual look that skews more vintage-inspired due to their fuller cut.

They also have a few idiosyncrasies that make their style unique; at some points, they experimented with multi-stripe vintage fabric, which was the norm back in the Golden Era (flat, plain suits weren’t common). They’ve also created cropped sweaters and jackets that are just begging to be worn with high rise trousers. Their love of turtlenecks even brings to mind some 1960s-1970s inspired looks. A big one is their latest preference for designing DBs that can be rolled to a 6×1 configuration. While these were a trend in the 1930s-1940s, it’s most commonly seen from Armani in 1980s-90s, emphasized further by their bold (power?) tie combos. B&Tailor keeps this vibe going by wearing their high waisted, light wash denim with their tailoring. Who would have thought that the 1980s-90s have a place in classic menswear?

I could keep writing about the observations that I’ve seen from B&Tailor, but the best thing to do is to look at the pictures and see it for yourself. There’s something about this brand that seems old school and yet not anachronistic at all, as they take their cues from different eras and mix them together to create such a unique look not just with the sartorial designs, but with the styling. Even Chad Park’s glasses skip around with different styles. In any case, I think they’re a good source of inspiration, not only for regular wear but for a great indication of making vintage-inspired style look wearable (and elegant) in the modern day.

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Style Icons: Jimmy Stewart

I love vintage style, but there are a lot of things that set me apart from other enthusiasts. While many enjoy period hobbies, I definitely don’t swing dance and I don’t watch a lot of old movies. It comes as a shock to some, as the latter is how most people I know came to be involved with vintage menswear. Sure, I may have seen a few of the big name classics, but it’s not something I consider monumental in my personal style journey; that doesn’t mean I haven’t been influenced by them, nor that I’m unfamiliar with them. Screenshots of films, promo shots, and candids of Golden Era actors used to fill my Tumblr. So with that, it’s no surprise that Jimmy Stewart was someone I saw often.

As you may know, Jimmy Stewart was a movie star during the “Golden Age” of Hollywood. Initially, he had attended Princeton studying architecture, but he soon found himself acting in small performers troupes. Eventually, he moved to Los Angeles, encouraged by Henry Fonda, and began his career in Hollywood, starring in almost 30 films until he enlisted in the Air Force during WWII. Stewart currently holds the distinction of holding the highest rank of any other actor who served in the U.S. Military.

For me, the appeal of Jimmy Stewart stems from how natural he makes everything look. I was never a fan of the prim and proper Cary Grant photos (who is loved for his 1950s-1960s style) or the “badass” look of Humphrey Bogart; I always felt more drawn to the candid and lifestyle shots of Stewart. Admittedly, Rear Window and It’s a Wonderful Life are the only Jimmy Stewart films I’ve seen, but I am familiar with his work (and style) through the countless images I see.

One thing in particular that I appreciate is that he had a very classic style. With flannel suits, striped shirts, and the occasional foulard tie, his style is a preview of some of the stuff you can see today. While the suits are cut in the classic Golden Era style (broad shoulders and wide leg pants), it’s not done in a costumey way. The fit is always on point, with a tapered waist and trousers that seldom break, which is a hard contrast to what most people think of when it comes to vintage style. He was sharp for the times without subscribing too much to the trends that we covered before.


During the 1930s and 40s, many actors would wear their own clothes in films. Because of this, men like Stewart were perpetually well dressed, both on and off the camera. One of my favorite outfits of his appears in a photo where Jimmy is sitting on a white fence, in which he wears a wide peak lapel houndstooth tweed jacket with navy trousers and white bucks. It really goes against the common style rules that we abide by today, like combining tweed and summer shoes. He does employ the “sprezza-tie,” with blatant disregard for its length and whether or not the back blade is showing. The entire outfit seems to be slightly ivy in its execution, as other pictures show that he was, in fact, wearing a striped cloth belt.

Another outfit that comes right in time for spring-summer, is Jimmy wearing a gaucho style polo shirt with the same peak lapel jacket. Not only is this cool because it showed that he reused a lot of the same pieces, but it also shows a little bit of the unique, trendy items of the 1930s. Gaucho shirts are largely similar to polo shirts but they featured a deep loop button placket and spearpoint collars; the hems were usually all ribbed. They grew in popularity among Golden Era actors during the late 1930s, and were seen on many stars, including Jimmy Stewart.

Gaucho-style polo and a tweed peak lapel jacket.

Gaucho-style polo and a tweed peak lapel jacket.

This image speaks wonders about Stewart’s style, though it might be a costumer’s idea. In a huge contrast to the well put together Cary Grant, Jimmy wears an unfastened chalkstripe DB suit, with a striped shirt and striped tie. Talk about sprezzatura, right? I remember seeing this years ago being inspired to experiment with triple pattern mixing–even if it’s all stripes. It’s hard to see people do that today, let alone make it look so natural, which made vintage style appeal to me even more today.

Jimmy Stewart in Philadelphia Story

Obviously, there are more great looks from Jimmy Stewart than the three I’ve examined here. It’s all very indicative of classic 1930s-1940s style without getting into the bold or flashy styles of Fred Astaire or George Raft (both of which are inspirations nonetheless). I’ve included a small album of my favorite looks from Jimmy Stewart for you to look at. I think that he was pretty consistent with his look, which you can definitely see in his later years. He may not have the spearpoint collars, but he still rocked the collar bar and the runaway collar until his death in 1997. Honestly, I think a lot of his attire can be used as inspiration today, whether you’re going for a true vintage look or something more contemporary. I certainly look to him quite a bit.

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Shirt Collars: Different Styles Over the Years

The shirt collar is an often overlooked aspect of menswear since many people buy and stick with one style. However, minute details- the length, height, tie space, and spread can completely change an outfit; they can even point to a specific era.  As we have discussed before with suits and ties, shirt collars have gone through numerous changes from the beginning of the century. While the spread collar reigns supreme today, different collars work better for different people, so taking cues from the past can help, especially if you’re on the path of creating your own style.

Washing shirts in the 19th and early 20th centuries was a difficult and time consuming process. To save time, men would wear shirts with detachable collars and cuffs– which, since they were the only exposed parts of the shirt, could be washed separately. These collars were often stiff, made of either paper (which could be simply wiped clean), or actual fabric, which had to be washed and starched.

By the 1910s, standing collars and wing collars were being phased out in favor of turndown collars, which framed the necktie well. While it wasn’t uncommon to see patterned shirts sold with matching collars, they were oftentimes paired with contrasting plain white collars.

During WWI, men had become accustomed to the soft, permanently attached collars of their service shirts. Upon returning home, veterans purchased dress shirts with the same features. Detachable collar shirts still saw the lion’s share of sales until the end of the decade, and they were still popular among the wealthy and seen on formal shirts (and they will remain in vogue until the 1950s). The spread collar was introduced around this time, but short point collars were standard wear; club collars were popular as well. The 1920s also saw a boom for the button down collar, which was first introduced in the 1890s by English polo players.

Point collars got longer in the 1930s, and what resulted was called the spearpoint collar shirt. This collar (my personal favorite) had a subtle curve near the point that resembles a teardrop. Generally, they were about 3 ½ inches long, but some Hollywood celebrities, such as Walt Disney or John Barrymore, had shirts with collars as long as 4 or 5 inches. Collar bars or pins complement this shape quite well, and they can be worn open casually as the “runaway collar”, with the points lying flat on a jacket’s lapels.

Not all spear points were the same, as brands would come up with their own designs and versions of it, changing the spread and length of the collar. Also popular during this time were short, rounded collars and eyelet collars, which you can see in advertisements and illustrations of the period. All styles were usually designed for small, four in hand knots.

vintage shirt collars styleforum

The spearpoint collar continued to be worn into the mid 1940s, but would begin to fall out of favor with the introduction of “the bold look”: suits were bigger and bulkier, ties were wider and longer, and the windsor became the go-to tie knot. To compensate, wide spread point collars came into fashion. At the same time, button down collars worn with bow ties became a minor fad. Also during this decade, the “convertible collar” (better known today as the cuban collar or camp collar) became incredibly popular for casual-wear.

vintage shirt collars styleforum

By the mid-1950s, the bold look had faded, and the new trend leaned towards simplicity. A 1952 issue of Esquire describes the unprecedented variety of collar styles on the market: short point collars, spread collars, and tab collars were just a few of them. Still popular was the button-down collar, this time with many more varieties including a wide spread for windsor knots, rakish rounded button down collars, and models with an extremely exaggerated roll. The trend would continue as the ivy look gained dominance in the ‘50s and ‘60s. A shorter version of the club collar also gained prominence in that time.

Fashion is definitely cyclical, seeing how the late 1960s and early ‘70s drew much inspiration from the clothing of the 1930s. Suits once again featured wide lapels, nipped waists, and wide trousers, with a “modern” twist. Shirt collars too, were reminiscent of the spearpoints worn decades earlier, with one major difference: the teardrop curve was now absent. The body of the collar was wider, the band higher, and the points longer, leading to an exaggerated look. Use of polyester, “the fabric of the future”, was gaining popularity, and these disco shirts were often cut from 100% synthetic material, with built-in collar stays to preserve the shape. The idea was that they wouldn’t flap around while you were dancing!

vintage shirt collars styleforum vintage shirt collars styleforum

Normal 1980's shirts worn with awful suits.

Normal 1980’s shirts worn with awful suits.

Shirts returned to a more traditional look during the 1980s and onward: simple point collars were the norm until the 2000s, but the 1980s and ‘90s saw trends of their own.  Gordon Gekko style spread collars with contrasting fabric and tab collars were popular among businessmen, while the band collar was often seen on casual looks. Thanks to the “Mad Men” craze of the late 2000s, 1960s style short collars gained steam. Later, the already short 1960s point collar was reduced even further by “fashion-forward” designers, with some barely holding a tie knot. Menswear soon moved away from these tiny point collars and embraced the spread collar.

The classic spread collar isn’t actually a modern invention, but it’s definitely different enough from the point collar to mark it just touch more interesting. Classic menswear enthusiasts know not to fill up the extra space with a wide windsor knot; the lightly exposed parts of the tie attributes to this collar’s charm. Eventually, the spread collar gave way to the more exaggerated cutaway collar (again, not a modern invention), with fashion designers going for the extreme. The spread even influenced the latest iteration of the OCBD, with some brands offering wide spread OCBDs with a huge roll.

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Time can only tell what the next fad in shirt collars will be. For the past few years, the spread collar has been king, however, with the resurgence of ivy style, OCBDs have been getting more wear as well.

Personally, I think that a collar choice is up to the individual.  You can’t go wrong with the spread or button-down, but if you’re someone who likes playing with different styles, or simply wants more variety in his closet, a look at the past will provide more inspiration than a quick browse of the #menswear trends on your Instagram feed.


You can keep up with Ethan’s thrifting and vintage adventures on his Instagram (@ethanmwong) or on his blog Street x Sprezza.