The difference between a painting and a print are at once subtle and striking. Put a reproduction next to the original, and the former seems flat, dull, and inanimate, whereas the latter is vibrant, engaging, and alive. For some, the simple fact that a particular work of art is the genuine article justifies its superiority, but for me the reason is not provenance, it’s visceral: the texture of brush strokes.
Texture, like many things in life, adds interest and depth to the otherwise mundane and can make something good even better. This is why we take the scenic route instead of the freeway and add chocolate chips to vanilla ice cream, and also why I love Derek’s summer tweed. A 9/10 ounce blend of 60% linen and 40% silk, it offers a visual and tactile uniqueness that is rarely seen in fabric, an intriguing amalgam of irregular consistency and soft hand, dancing between light and shadow.Continue reading
Looking around Pitti, I wanted to photograph the people that were more visually interesting to me. Sometimes, those were characters who bordered on the absurd. But in general, my goal was to photograph those who I felt would be more interesting to users of Styleforum, people who tended to have a more conservative or classic aesthetic.Continue reading
As soon as sweater season rolls around, you can be sure to see menswear guys post pictures of Steve McQueen in Bullitt and caption it with “mood.” It’s a no-brainer, the turtleneck look is absolutely killer and has gone on to influence countless gents around the world. Not only is it stylish, but it’s pretty practical and is perhaps one of the easiest things a guy can wear due to its minimalistic, yet sharp look. The best part is that no shirt or tie is necessary (unless you really want to wear them, despite them not being seen).
Now, most people know the progression of the turtleneck thanks for the copied content across different blogs. Some of the more romantic bloggers say that knights wore one of the first variations, an undershirt to protect themselves against their chainmail and armor. It then was adopted as a sweater, no doubt to keep the wearer warm and to prevent the need for a scarf, which featured an extended neck. Then, they briefly touch on Noel Coward before ultimately landing at the 1960s and later, calling it the uniform of the anti-establishment, citing beatniks, the Beatles, Steve McQueen, and Steve Jobs. This alone should be enough to point you in the direction of this loved sweater. If not, that’s why I’m here.
More personalities than people imagine wore the turtleneck back in the Golden Era. You could find it across everyone from film actors to the naval officers to even university students. In general, the chunkier turtleneck (whether plain weave or in the cable knit) was the main one worn, no doubt due to it’s more utilitarian nature. The finer weaves were reserved for loungewear at home rather than to be worn out. Early pictures and advertisements will have the turtleneck done in bold block stripes or with embroidered years or motifs, something that seems to have been lost today. Still, many guys back then wore them on their own or with full tailoring.
Inspiration can be found across all eras. While everyone likes to bring up Clark Gable and Noel Coward for Golden Era moods, one of my favorite has to be a 1910s illustration of a student wearing a cream roll neck with a stingy billed cap, grey flannels, and opera pumps. Pretty rakish, but I’m sure that it provides plenty of inspiration for your own outfits. I also have found photographs of the Prince of Wales wearing one with jodhpurs and the beret combo from an old archive of 1930’s European family pictures.
The 1960s-1970s definitely reflected the shift away from mainly utilitarian use and more as a true replacement for the shirt and tie combo. The chunky cable knit ones were still in play, but it’s the thinner, finely woven ones that took the spotlight. These newer turtlenecks were more form-fitting, echoing the trends in the mod and disco phases. Now they were available in much more than dark navy, black, or cream: you could now see them in saturated colors and earth tones. Though they were a classic item, they were definitely a trend during this era.
In some cases, the growth of their popularity was indeed a rejection of corporate culture (think artists and musicians) as other people have noted. In others, it’s more of a futuristic fashion trend that negates the need to think too much about shirts and ties. For example, a solid turtleneck will contrast or help mute a tailored outfit making for a sharp, minimalistic look. Even if you were against neckwear from the beginning, you could achieve a more formal vibe with a turtleneck than if you simply wore an OCBD and a crew neck sweater; this is all thanks to the high, closed neck that subtly harkens back to the tunics worn by royalty back in the day. Michael Caine even doubled down on this “high neck closure” by wearing it with a double-breasted suit.
Looking back now, we have a plethora of different examples to follow if you want to rock the turtleneck. Obviously the most common is that minimal 1960’s look with a nice, slim finely woven variation. It’s not a bad look, as it looks fantastic with most tailoring and serves as the starting out point for many. Navy blue is probably the best choice to get since it will work across a variety of outfits, but you could always experiment with something in light browns or burgundies/yellows to evoke the earthy palette of the 1970s. It especially helps when you feel like the patterns in your suit or sportcoat are too loud and need a bit of grounding. If you want to go for that look, I suggest looking at merino wool, since it’s supposed to be ultra fine in its texture. Luckily, you can find these at most stores like Uniqlo and J. Crew at a great value. There’s nothing wrong with experimenting with the different colors they offer (pairing it with simple grey trousers is great), but keep in mind that they won’t be as versatile as the navy or black ones.
Despite the fact that I live in California and merino are the only pieces I can wear without vigorously sweating, I definitely have a soft spot for looks that incorporate chunky turtlenecks. These make more sense if you’re wearing selvedge denim, heavy peacoats, double-riders, and scratchy tweed. It feels a bit more nautical and workwear-focused, that’s for sure, but I’ve always been a fan of a more rugged take on tailoring. Cream is probably the way to go, but soft greys and intricate weaves or even fair isle patterns can also work. North Sea Clothing is a place to consider if you want a solid wool one that echoes the traditional maritime ones, complete with a wide ribbing on the neck, cuffs, and hem. Lambswool variations can be found at Drake’s (whose latest lookbook has plenty of turtleneck ideas) while the cashmere ones can be found anywhere from Uniqlo, Todd Snyder (at $300), and at Berluti ($1000+). I personally wish they made heavy guage in cotton for warmer climates, but a guy can dream!
Overall, I really recommend that you guys try the turtleneck out if you haven’t already. The utilitarian benefits are clearly there, but I like the added bonus of being able to look sharp without having to wear a tie or even a shirt. While I like that this “throwback” piece of clothing has stuck around, I just hope that the horrid v-neck sweater/turtleneck hybrid doesn’t make a return appearance. That simply belongs in the mid-1960s and should stay there forever.
The first pair of “raw” denim jeans I saw that were not my father’s Levi’s Orange tabs ($29.95 at Zellers back in 1980) were Helmut Lang’s “Narrow” and “Straight” cuts, which I stumbled across the Beverly Hills Barneys in 1998. The hems of both seemed improbably tight and unfashionable to me at that time, when 16-18” hems were the norm, and the $300+ price was prohibitive to a graduate student without a trust fund.
A few years later, the North American premium denim movement, which started in LA, where the bulk of denim manufacturing is located, began in earnest. My personal favorites were Scott Morrison’s first brand, Paper Denim & Cloth, which was revolutionary for its time; and Levi’s Premium, among the first of Levi’s many attempts to gain a fresh foothold in the new fashion landscape. In the early 2000s Scandinavian brands, led by Nudie, gained a following in North America, helped by representation from the super agency WANT. During my honeymoon in Spain, finding Nudies in Madrid was a major goal, and I dragged my new wife on a several-hour walk just to find the small boutiques I was interested in – I know that more of you sympathize with this than would care to. ACNE (also represented by WANT) were the next to gain popularity in the US. My Norwegian friends told me that in Scandinavia, Nudie were for the douche-bro crowd, and ACNE was the jean of choice for the less objectionable, but my loyalty to Nudie – at this point ingrained – didn’t waver.
These were all gateway drugs to the Japanese denim that had been popular in Japan a decade earlier. In usual form the States were a decade behind, but our interests were stoked by retailers like Self Edge and Blue in Green, who were as much a product of the times as they were the flag bearers. Like everyone else swept up in the trend, I agonized over shrinking, stretching, and the much-sought-after wear marks, which Babelfish awesomely translated from the Japanese as “vertical falling.” Those were heady days for the raw denim crowd. Ultimately, I came to the realization – as did all of my denim-nerd peers – that forcing yourself to wait six months before washing a pair of jeans is madness. I always thought that the sizing-down-so-that-the-jeans-stretch-out stance was a terrible idea, so I didn’t have to learn that lesson at the cost of the months – even years – of testicular pain, that so many others paid.
Today, my denim collection resembles an archaeological dig site that spans the past 15 years and has its beginning with the premium denim trend of the very early 00s. And while I am sure that my preferences will continue to evolve, I’m at the point at which comfort, or at the very least, not-extreme-discomfort, will always be a consideration. This means that the recommendations below have some breathing room through the seat front and thighs, and hit comfortably at the hipbone. Since tapered is still the standard, both are slimmer from the knee down. Generally, I like the feeling of heft in my jeans – no paper-light stretchy jeggings for me – but super heavy jeans are never all that comfortable, so jeans between 13.5 and 17 ounces, light enough to be nimble, heavy enough to have some real power, hit that sweet spot.
If you’ve got big thighs, check out this article on Jeans for Men with Big Thighs
“Slim tapered” jeans from Big John’s “Rare” line have the minimalist trappings of designer jeans – a plain, midnight blue, deerskin indigo back patch, a placketless fly, and no gratuitous branding; and they are cut not unlike the Helmut Lang jeans that I used to think were too narrow at the hem, with a mid-rise and a tapered leg. But they are made from inky “Ransei” denim (meaning “king of denims”), which is the highest quality denim made by Japan’s “first” Americana-inspired denim brand and is designed to fade in an extremely attractive manner. I hesitate to describe them as versatile, since that’s only a few steps away from suggesting that they will go from “the boardroom to the bar,” but I will say that all of the very different people to whom I’ve recommended them have liked them.
The other pair I frequently wear are even more of an amalgam of the trends of the last fifteen years than the Big Johns: a collaborative project (collaborations went from novel to ubiquitous between 2003 and 2006) from American retailer Blue Owl and Japanese manufacturer Momotaro; the very precisely-named (and discontinued) BOM005 (the closest analog is now the BOM008). The “modern,” mid-rise, tapered cut is borrowed from its sister brand, Japan Blue, and the heavy denim appeals to both denimheads and fashion customers alike, with weft threads (the colored threads in a jean) that are nearly black when first worn, and fade to a dark indigo with wear. They also have a black leather patch – plain or tonal patches seem to be popular with the minimalist set these days – and instead of the typical contrast stitching, the thread is tonal save for the single line of pink running along the inseam.
These two pairs take me through most days. Not a decade ago, I would have recommended a much lower rise, tighter jean, possibly in the heavier denim. Those cuts and weights still exist, and there is always a race towards the heaviest possible denim, but as a retailer once said about super heavy (18-ounce and greater) denim, “that’s for kids.” I do have a pair of 23-ounce jeans that I wear when I get nostalgic for the age of sick fades, though. Jeans, after all, are about the memories.
So, you’re starting a new job and don’t want to go to work naked–or worse yet, dressed unprofessionally. This discussion will be aimed at getting you into something professional, attractive and appropriate: in other words, a complete business wardrobe.
This is not a piece on how to be “the best-dressed guy in the office.” Rather, this will help you “look nice” for work every day, whatever that means in the context of your office environment. If you’re at the very beginning of your journey, you might want to check out our guide to buying your first suit, and the perfect business attire before diving into this guide.
There are basically two kinds of professional dress codes. Either your work environment dictates, or at least allows, you to wear a suit and tie some/most of the time, or it doesn’t. I’ll use “business casual” to describe all of the environments in this latter category, which range from jeans to polos and khakis to blazers and button-downs.
This encompasses a wide range of modes of dress. As the decline of the suit (relative to 50 years ago) is the main source of male confusion over what to wear, it would be impossible to clarify everything in a single post. But if you find yourself lost, look around you for direction, notice what your coworkers wear for a couple of weeks before buying a whole new wardrobe.
The two best ways to look nicer without looking too “dressed up” are to have clothes that fit you well, and to upgrade your footwear. A common mistake is to buy clothes that are too big. The shoulder seam of your shirts – be they polos or dress shirts, should approximately line up with your own shoulders. Your pants should have little to no “break” around the ankles, and should sit above your hips, within an inch or two of your belly button. Pant length is easily altered, but you may have to try a couple of different makers before finding a trouser that fits you correctly in the seat and thighs.
In an office of polos, you can wear a well-fitting oxford cloth button down and look better without being overdressed. With the advent of online tailors, getting dress shirts that fit is cheaper than ever before, although it may take a couple of iterations with your tailor before the fit is just right. Starting at less than $100, you can have shirts made for you so that they won’t be billowy around the arms and midsection. Luxire and Spier & MacKay are places to start with good reputations. If you do buy ready-made shirts, any tailor can take in the shirt and put darts in for around $15-20.
For some reason, quality of footwear is virtually uncorrelated with the formality of clothing in modern male dress. Walking around the streets of today’s cities, you’ll see men in suits wearing rubber-soled slip-ons, as well as men in jeans wearing nicely polished leather-soled oxford dress shoes. As a result, you can wear nicer shoes with almost any outfit and not be overdressed. Wearing quality, well-cared-for shoes with your business casual outfit will significantly improve your appearance without seeming pretentious or out of place. As an added bonus, women notice shoes.
About the only shoe most men should have that might look “too dressy” is the black oxford cap-toe, although even this can still be worn with business casual. Since you’ll need this kind of shoe for more formal occasions like weddings, funerals, and job interviews anyway, it’s a good one to have. Just don’t wear it with your more casual clothes. After that, you can add some wingtips, brogues, and/or loafers.
[For more information about what shoes to get and how to care for them, check out Mitch’s article on versatile shoes]
If you’re wearing a business suit and tie to work every day, then you have a more closely prescribed form of dress. Let’s start off with:
Hopefully, you’ve got one or two navy and/or charcoal suits from prior to your interview process. If you’ve only got one, first thing to do is buy another. You don’t want to be wearing the same suit every day. Suits benefit from a day of rest after wear, and you may have to send one to the cleaners at some point. Although while we’re on that subject, unless you spill something, you shouldn’t need to dry clean suits often at all. Once a season (every few months) is plenty.
Eventually, you’ll want to get to at least 5 suits if you’re wearing one every day of the work week. Once you have 3 or 4 solid suits, maybe a medium gray, a navy, and a charcoal, you can branch out into a pinstripe or a subtle glen plaid for a slightly more casual look.
The reasons to start off with solids are that they go with every shirt and tie you have, so you don’t have to be limited to one particular suit once you get to laundry day, and they are less memorable to the people you see every day. If you have a pinstripe suit and a windowpane suit people will realize pretty quickly that you own exactly two suits. You could own two solid navy suits and no one will ever think twice about it. In fact, some of the best-dressed men in modern history have worn nothing but navy suits.
Finally, although they are common in American businesswear, the consensus on SF–and indeed among most menswear writers and stylish gentlemen throughout history–is to avoid black suits except for funerals. Black in the daylight flatters very few complexions. Instead, it should be left to evening wear.
Here are some styling pitfalls to avoid for a business suit: you don’t want anything that looks flashy or too distinctive. Practice moderation in the width of the lapels, which should approximately half-way to your shoulder. Leave the “shrunken,” too-tight look to the runways of fashion shows. Stick to notch lapels until you are more confident in your understanding of professional standards.
Start off by finding yourself a shirtmaker. These days, you can get a custom-made dress shirt for less than $100, which will fit you better and therefore look better than most of the $300 dress shirts you could find at your local upscale department store.
Start off with three white shirts, three light blue shirts, in varying weaves if you like, then a couple more in a conservative pattern, perhaps a stripe and a microcheck. This will give you enough shirts that you can make it through the week before needing to get any shirts laundered. If you decide you like light blue shirts more than white, get only one or two white shirts. A light blue shirt will be formal enough for most occasions, so you needn’t worrying about being underdressed in such a shirt. Most people do, however, suggest that white shirts are particularly attractive in the evening, and are the most appropriate for funerals. Check out some quality shirts here for inspiration.
As you’ll be wearing these shirts with a tie, the shape and dimensions of the collar are especially important. Although you’ll see many men walking around with “point collar” dress shirts where the points finish before the jacket lapel begins, this is frowned upon by most stylish suit-and-tie wearers. Instead, the points of the shirt collar should reach under and be hidden by the jacket lapels. If you’re American, you can wear button-down collar shirts (whose points will not be hidden underneath the jacket) with your suits. In other parts of the world, button-down collars are considered too sporty to be worn with suits.
Here is the most extravagant element of the suit and tie outfit. While the suit and shirt are sober wool and cotton there to cover your body, the tie is a nicely colored piece of luxurious silk that is purely decorative. The virtue of these boring suits and shirts is that they will look attractive with any tie that is attractive on its own. As such, the tie is the main thing you change from day to day to break up the monotony of navy suits and white shirts.
That said, if you’re going for a business look, you still don’t want your tie to be “loud”. No fuchsia, no lime green, no exploding fireworks, nothing bedazzled. For solid colors, texture is key, so grenadine ties or highly textured weaves work well. For some inspiration check out this soporific tie collection. Most tie-wearing men will have at least one or two ties with navy as their basic color. A starting wardrobe of 12 ties might contain:
- Two navy solids (a grenadine, for instance)
- Two other solids (perhaps a forest green or a burgundy)
- One glen plaid or shepherd’s check in black and white or navy and white
- One houndstooth
- Two pindot ties
- Two “neats” – small, evenly spaced designs
- Two repp stripe
This is just a suggestion. Buy ties you like. All ties should be between 2.75” and 3.75” in width. Which side of this spectrum you tend towards should depend on your own width. Choosing colors that reflect the colors of your eyes and hair is likely to be beneficial. Lighter color ties (pale yellows for instance) are more difficult to wear effectively.
If you want to fill your tie wardrobe quickly and cheaply, and you have the patience to go through the Buying & Selling section of SF, you’ll frequently find good ties in the $50 range. Once you get to the $75-100 range you can look into places like SF affiliates Vecchio Anseatico, Kent Wang, and Vanda Fine Clothing.
Without question, this is the most neglected area of the typical American man’s wardrobe. And without quality footwear, an otherwise impeccable suit-and-tie combination immediately looks slovenly. A proper dress shoe has a leather sole and is classically shaped so that it is neither square-toed nor extremely pointy-toed. If you have the money for it (again, check eBay or the Buy&Sell forum) the “upper” (the non-sole part of the shoe) should be made of full-grain, not corrected-grain (sanded down and filled in to have a specific texture for the grain), leather. New full-grain looks better than new corrected-grain, but more importantly, over time properly maintained full-grain will develop a patina and look better and better, while corrected-grain will look worse and worse.
Outside of Britain, brown shoes are fully appropriate for business-suit-and-tie, although within Britain, only black is complet, ly correct. Black is also completely correct everywhere else.
A good place to start is with one black and one brown pair. If you only needed shoes for work, two brown pairs would be fine, but having at least one pair of black shoes means you are prepared for more formal situations such as job interviews, weddings, and funerals. This black shoe should probably be an oxford cap-toe. For the other, you could get wingtips, derbys, longwings, as you see fit. Adding a medallion or other broguing decreases the formality of the shoe, and therefore probably shouldn’t be one of your only two business shoes.
There’s a reason you should start with two pairs. Dress shoes need to rest in between wearings in order to have a long, happy, life. Proper care for dress shoes entails:
- 24 hours rest between taking off and putting back on
- Use of shoe trees when not being worn (especially for the first 24 hours after wearing, as the shoes dry out)
- Periodic conditioning and polishing
[For further details on conditioning and polishing, see the official shoe care thread]
The entry-level shoe brand to what most SF members would consider a real quality dress shoe would be Allen Edmonds. You can find AE “seconds” (shoes with very slight defects) for as little as $200. “Firsts” go for around $300. Below AE would be brands like Johnson and Murphy, Cole Haan, and Florsheim. Most of these shoes will have corrected-grain leather, and will not be Goodyear-welted. However, there are at least some models that are classically styled. Kenneth Cole and Aldo are among the most abhorred brands on SF, as their construction is shoddy and their styling hideous.
Check out these popular shoe threads:
This article is an edited version of an article published on Styleforum.net by Shawea.
When we think of tailoring, the suit is usually what first comes to mind. In fact, the suit is so synonymous with tailoring in the popular lexicon that even if you’re wearing a blazer with odd pants, you’ll almost certainly be told “nice suit.” Of course we know better, and if you follow my posts on Styleforum or my personal blog, you’ll know that I rarely wear suits. My personal preference is for tailored odd jackets and trousers. I love suits and absolutely would wear them every single day if my job or other circumstances necessitated it. As it is, however, I have flexibility in what I wear for work, and I like the versatility of odd jackets.
But in practice, I’m pretty repetitive with my jacket-trouser combination choices. In the warm months, the choices differ from the cold months, but the principle is the same: I basically rotate the same 3-4 pairs of pants with basically every jacket I own.
In that light, here are the four pairs of trousers I find easiest to pair with my tailored jackets in the summer:
1—Mid-Gray trousers in some form of lightweight, breathable wool
My personal preference for this category is fresco, because it keeps its shape and is so hard-wearing (which is a boon for trousers). Fresco is a trademarked name for a specific weave developed by Minnis, but many different mills have developed their own version of the cloth. It stays cool by being open-weave, but it keeps its shape by having tightly-woven yarns. There are other weaves, of course. I owned a pair of gray summer weight hopsack trousers once, which also wore fairly cool. But I ultimately did not like how they draped on me—too loosey goosey. Tropical wool is kind of a catch-all term that means lightweight wool meant to be worn in the warmer months. I say: stick with Fresco if you’re unable to examine the cloth in real life to know if you’ll like it.
2—Off-white trousers in whatever fabric you like
I personally go for cotton-linen blend trousers in off-white for summer, because I can wash them. But off-white wool trousers work, too, but I have a personal aversion to them. I have this very specific memory of a used car salesman who had a very 1970s vibe wearing some (honestly they were probably polyester) with a yellow shirt, selling my parents a 1989 Mercury Sable that turned out to be an absolute lemon of a car. That, and I am too cheap to dry clean unless I absolutely have to. But I fully endorse off-white trousers in whatever fabric floats your boat. They literally go with everything (tan jackets, tobacco/cigar jackets, dark brown jackets, navy jackets, green jackets, the list goes on).
3—Warm khaki cotton chinos
Go toward dressier versions that hold a crease and have either an unfinished seam or a finely finished seam, and you’ll look better for the office. Broken-in, more rugged chinos also can work well with a tailored jacket but will look out of place if you’re trying to dress them up more. For instance, I wouldn’t wear polished calf leather shoes with broken-in chinos, nor would I wear a tie. But with a creased pair of chinos, I’d wear both no problem. I personally think the warmer khaki tones are the most attractive—British khaki, copper, caramel, whatever the retailer you find them at calls them. I prefer its warmth over standard khaki, which is a dustier, more faded tan. That has its place, too, of course (I personally think it works best in the broken-in configuration, worn with a beaten-up OCBD or navy polo shirt).
4—Dark or slightly faded-looking denim
Dark jeans have ruled menswear for a decade or more, and I’m pretty sure there are more selvedge denim companies than there are Styleforum members. There’s a good reason for that: they are more flattering on more body types than faded jeans and worn out at night they look dressy enough to make an outfit feel put together. The lighter you go, the closer you get to the dad-jean territory, or rancher territory, or miner territory, or menswear blogger territory. So I say, stick with dark rinses or just ever-so-subtly faded denim and you can’t go wrong. In the height of summer, depending on where you live, they might be too hot to wear—but in those situations, wearing a tailored jacket might not make much sense, either.