Category Archives: Style

Erik Mannby’s 10 Rules of Style

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Erik is one of Styleforum’s best-known and best-dressed members, and you may recognize him from our Pitti Uomo coverage. Here, he breaks down his top ten sartorial rules.

 

 

  1. Always use the four in hand knot.

    I’ve noticed that the false notion of the Windsor knot being more formal still lives on in some lines of business. Here in Sweden it’s especially favored by real estate brokers for some reason. I guess the idea that it’s named after royalty and the fact of its symmetry fool some people. The four in hand is the only knot you ever need to learn. If you need a bigger knot, you can easily just wrap it into a double four in hand. The slight asymmetry is what gives it personality. Also, don’t forget the dimple underneath the knot. Fact is that the duke of Windsor, who the Windsor knot is named after, only used the four in hand knot, but with a thicker lining, thus making it appear slightly more bulky.
  2. Be comfortable.This is the key to looking good. Make sure your clothes fit you well enough to give you freedom of movement. For me this means that I wear trousers with a higher waist. The comfort level this grants has made me completely forgo all dress trousers that don’t reach my natural waist. Also, I wear all my garments cut generously enough to never restrict me. For me, a suit should always be comfortable enough to not be noticed when worn.
  3. Invest in good hats & caps.Relating back to the last point, this is about comfort to me. In the summer time a Panama hat is excellent protection against the sun, and in winter a hat or cap will keep your head warmer. Also, a proper hat generally looks better with tailored clothing than a regular beanie.
  4. Know yourself.This is more important than getting to know any “menswear rules”. This will also relate back to the point about being comfortable. This is what makes you LOOK comfortable. Your way of dressing usually looks its best when it reflects who you are. I see a lot of people wearing what they’ve seen influential or famous people wearing, and it just looks off. Are you a casual or formal person? Do you love colours or different shades of grey? Do you like vintage wear or sprezz, or both? Do you wear suits for work or for your own pleasure? You make up the questions that are relevant to your idea of style. What I’m trying to say is: “You do you”.
  5. Know the history of your garments.Once again, these are MY rules. I generally like to know what the history is behind a certain garment or design trait. I can then chose to wear it with what it was originally meant to be worn with, or if I feel it’s too anachronistic or pointless, completely discard the original rules of wearing it and choose a way that seems more reasonable.

  6. Get to know your colours.Colours can be tricky. There is plenty written on this subject, so I’d suggest you Google this if you want to learn everything about colour wheels – or read Peter’s article on color. I usually visualize colour combinations that I think would be interesting and then try them out in actual outfits. Now, since I am my own boss, I don’t need to care for dress codes, which obviously gives me a greater freedom of messing about with this. If you want some good tips, I’d suggest also looking at old apparel art, as there are usually some really interesting colour combinations to be found.
  7. Contrasts, high or low – do it consistently.Some people prefer high contrast outfits, while other like medium- to low contrast. Personally I love the whole spectrum. A good idea is to do it consistently, though. If you have a low contrast between trousers and jacket, it can look off beat to throw in a pair of shoes in a completely different shade.
  8. Mix your patterns according to size.I make exceptions to almost all of my “rules”, but this is a constant. It just never looks good wearing several garments/accessories that are in close proximity to each other, in a pattern that’s roughly the same size. It creates a disharmony in the total composition that isn’t very appealing. You can stay safe by only wearing one patterned garment, or let the patterns be big/small enough not to get confused with each other. Again, Peter has written a good primer on this subject.
  9. Vintage, budget, premium? Who cares? Aesthetic is king.To me, the end result trumps whatever brand/maker you’re wearing. Of course, crap quality clothes should always be shunned. Today, you can find some of the finest quality clothes available in vintage stores, and a lot of brands offer a great quality/price ratio. I mix and match personally. One of my favorite jackets is a vintage M51 field jacket, I’ll wear it with premium priced clothes, but it still works in my opinion, just because I have a consistent idea of what aesthetics I strive for.
  10. Learn the fundamentals, then wear it as you like.Read Flusser, Roetzel, and other menswear writers. Their books will give you a good idea about some of the conventions that influence how menswear is conceived and worn today. At the same time, be aware that they are just that: conventions. There really are very few “rules” to menswear. Look at it historically and you will see that these ideas change drastically over time. The modern suit is quite young, and when introduced to the masses were considered unorthodox and therefore free to experiment with as on chooses. Now, of course, conventions have set in, and people love to beat each other over the head with this set of conventions that they believe are actual rules. Know what’s what and you’ll be more free to wear it as you see fit.

Erik is co-founder of EFV Clothing. You can find him on Instagram at @ErikMannby.

Member Focus: Techwear with Rais

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@Rais is a well-known streetwear poster for a reason. He’s the resident master of futuristic techwear; taking inspiration from speculative fiction, film, and his own environment. The subject of many admiring Blade Runner jokes, Rais excels at styling avant-garde designers with readily-available brands, and putting his own out-of-time stamp on the results. Here, he talks about what directs his buying and styling.

I enjoy challenges, and one interest that I’ve always had in terms of clothing, even before I took a more dedicated approach to “fashion” was in creating comfortable, disposable and practical looks from inexpensive and readily-available pieces. These looks are not particularly interesting to look at and are definitely not fashion forward for the style-conscious. Nor are the pieces themselves particularly remarkable to be of interest to those who collect clothing for their novelty. Yet these are the clothing I find myself wearing most days. The versatility of being able to work out in the gym with clothing that I can still wear into a bar to meet new friends or that wouldn’t look out of place in a Chinese tea house as I work on my laptop; that I could be comfortable resting in on an airplane and that I could replace at the ready, and rather inexpensively, if my outfit was damaged while being out or my luggage lost on a trip, is all very attractive to me.

It is easy to achieve those aims with a variety of approaches; techwear, one of my hobby styles that I experiment in, is typically robust, allows for extreme activity both in- and outdoors, and has a good degree more modesty than a tank top and gym shorts for casual contexts. But techwear is not particularly socially-inviting, it is actually quite anti-social due to its reliance on the colour black, and it stands out in a crowd communicating to others that you are different, in a way that you want to be left alone. I also find it affected in that on the days when I need to drive, stepping out of my air-conditioned vehicle with its plush leather seats and cruise control while dressed in preparation for the apocalypse seems a bit disingenuous.

rais styleforum member focus

Rais in a go-to techwear outfit

This is one of my favourite tech looks. It is high performance, water-resistant, extremely lightweight, comfortable and, outside, at night it blends in well with its surroundings. I take a more activewear approach to this style compared to the typical streetwear aesthetic that many other techwear enthusiasts gravitate towards. Everything here is from Nike, save the pants.

On the other side of the spectrum, my more fashionable, designer looks from Lanvin, Gaultier or Dior can be very attractive in various social engagements but obviously lack the comfort or the durability that I’d want for going to work in each day, particularly if I wished to walk or cycle on my commute, and obviously they aren’t suitable for any kind of physical exercise while wearing them. Thus, these fashionable looks require a sacrifice in comfort and practicality; necessitate that I drive when I go out and also that I pack a second set of gym clothing for exercise in a dedicated duffle bag. I am not sure that I am comfortable with that kind of investment in time each day for looks that I am not overly drawn to.

rais styleforum member focus

Rais in Lanvin, Yves Saint Laurent, Prada, and Gaultier

This look is comprised of a Lanvin linen jacket, Yves Saint Laurent cotton shirt, Prada silk tie and Jean Paul Gaultier polyester-blend trousers.

I took a photo today for this article to illustrate the kind of versatile, casual clothing and look that I find myself wearing regularly. It is disposable, relaxed in fit, and stylistically I’ve tried to find a middle ground between contemporary ideals of men’s fashion and the minimal, athletic futurism I enjoy in my tech looks.

rais styleforum member focus

rais styleforum member focus

Rais in readily-available fast-fashion brands

The polyamide bomber from H&M was RIT dyed and the collar and cuffs were cut off and left raw. The light olive tee is from Cotton-On in their “Other Crew” cut and the jogger pants were bought in Namdaemun market in South Korea. The slip-on sneakers are from Muji.

I remember reading a chapter from Gibson’s Virtual Light, where the protagonist, Rydell, went on a shopping trip to a large mall/port called Container City where large freighters from around the world docked to unload inexpensive merchandise stored in shipping containers to a swarming hive of consumers. Rydell purchased a new outfit of cheap basics; I believe it was a burgundy bomber jacket and a few black tees and a pair of jeans. That imagery appealed to me somehow, and even though I was attempting similar looks years prior to reading that book, I still remember and feel influenced by that particular passage with its apt representation of the modern man’s relationship with his clothing and how it has manifested into a practical uniform for the 21st century.

Sunday Styles: Autumn Travels

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styleforum sunday styles autumn travels outfit grid

 

We’re calling this “Autumn Travels,” but really we could call it “Styleforum’s favorite brands,” because this outfit grid showcases some fall styles from a few of the most popular brands on the forum. Eidos, RRL, Yuketen, Anderson’s, and Christian Kimber are all ever-present forum standbys, while Todd Snyder is a reliable source of tailored-casual clothing. We do try to hit both the tailored and casual spectrums when we put these suggestions together, but something about the weather turning just makes all of us want to cozy up in comfy layers and look at the leaves that are still whirling about on the ground.

Not all travels involve planes, trains, or automobiles. Sometimes you have to get outside and explore your own backyard before the ever-decreasing daylight traps you inside for three months, and this is the perfect outfit for letting your feet guide you. A navy jacket over a band-collar shirt is a great casual look, and chambray is a fabric that looks fantastic when worn wrinkled and comfy-like. When combined with olive trousers it’s very worldly – roll the hem (don’t cuff) of the pants up a few inches to show off Yuketen’s great moc-toed desert boots, turn up the collar of the jacket, stuff your hands in your pockets, and spend the day strolling around with hot cocoa in hand.

There’s a lot to be said for simple color combinations, and navy, green, and brown is about as simple as you can get. Add some texture with a woven belt, a pop of color with a lazily-stuffed pocket square, and you’ll look great no matter where your travels take you, whether you’re headed around the world or just down the street.

  1. Eidos indigo Tenero jacket
  2. Todd Snyder band collar chambray shirt
  3. RRL Olive Chino
  4. Yuketen Desert Boots
  5. Anderson’s Woven Belt
  6. Christian Kimber “Colombo” pocket square

Mastering Complex Patterns

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“Creativity is more than just being different. Anybody can play weird– that’s easy. What’s hard is to be as simple as Bach. Making the simple complicated is commonplace–making the complicated simple, awesomely simple–that’s creativity.”  – Charles Mingus

In today’s post-slacker world, just wearing coat and tie is enough to turn heads in many environments.  Sadly, in response to the incessant thundering appeal to “stand out,” men are blindly throwing together so many unrelated #menswear trends and patterns under the misguided siren call to “be original” that the resulting stew of glen plaids, gingham checks, candy stripes, and polka dots would make even Andrea Bocelli vomit. 

If that’s what you’re shooting for, more power to you; but do not delude yourself into thinking a random salmagundi of patterns is an expression of your creativity.   Many confuse “individuality” with “creativity”, but there is a difference: the aim of individuality is to be “different” by bucking convention.  The genius of creativity is taking something complex and making it appear simple. 

Charles Mingus released one of his best-known albums, Ah Um, the same year that Miles Davis released Kind of Blue.  Both, now over 50 years old, are premier examples of how complexity can be done well.  Indeed, despite the fact that up to six instruments played a part in each song, note the recurring concept that keeps appearing in critics’ reviews:

“Simplicity – the reason Kind of Blue has remained so successful for so long.” – npr.org

“…one of the many amazing things about Mingus Ah Um is that he took this incredibly challenging jazz, in perhaps its creative heyday, and made it as easy as pop music.” – Bob Lange

“All of the contributions…only served to illuminate Miles’ zen-like approach on this record that relied on simplicity.” – allaboutjazz.com

This concept was by no means new.  Over 100 years earlier, none other than Chopin himself opined: “Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.”

Can this concept be applied to #menswear?  Yes, it can, in two ways:  One instrument at a time; or if many, they must harmonize.

One pattern

One pattern is easy – choose one and keep the rest solid. Non si può sbagliare. 

If more than one pattern, the scale of each must harmonize via contrast.  Think of it this way:  The items that are closest to each other should be dissimilar in scale; your ensemble should not look too busy.  If your jacket has a large pattern, the shirt’s pattern should be smaller.  If the shirt’s pattern is small, the tie’s pattern should be large.  If you decide to wear a pocket square, its scale should differ from the jacket.

Two patterns

In the first example, Mark Cho wears a suit with a large pattern, while his tie has a small pattern. Same with the second picture – large windowpane suit, small scale “neat” tie. The third example showcases the reverse: small scale gunclub jacket paired with a tie that has stripes spaced far apart. 

Three Patterns

Three patterns can be done relatively easily: anchor your ensemble with a solid suit, make the shirt and tie in differing scales, and throw in a patterned pocket square. The first two pictures demonstrate this well. 

Once you throw in a patterned jacket things can get tricky, but the following photos demonstrate how it can be done. In the first, Ethan is wearing a gunclub jacket (small repeated scale), a neat tie (in a slightly larger scale with more space in between the print), and a square with a large scale, dissimilar to the jacket. The next picture has Jake in a pinstripe jacket with quite a bit of space, a tie with less space, and a shirt with closely spaced stripes. 

Four Patterns

Not impossible, but the risks of appearing fastidiously studied or a chaotic cacophony should give one pause. Simply changing the scale can have too many lines crossing every which way in a dizzying mess.  To limit this effect, try introducing shapes and prints into your accessories, such as a medallion tie or paisley square.

 

Note that in all cases, the colors are not garish.  If one pattern stands out more than the other, it is not so disparate as to look either out of place or forced. Whether simple or complex, everything should just…flow easily.  Stephen Thomas Erlewine of allmusic.com sums it up by saying:  “Kind of Blue works on many different levels. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable.”

Standing out is easy; just wear red shoelaces.  Don’t just be different.  Be creative by making the complicated simple.  Make Mingus proud.

Photos courtesy of Alan See, the Armoury Lightbox, Ethan Newton, and No Man Walks Alone

Accessorizing with Dogs: A How-To

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There has long existed an association between tiny, handbag-friendly dogs and the fashion elite, but there is more to the art of accessorizing with dogs than a chihuahua in a purse.  For everyone who shares a home – even briefly – with a four-legged companion, the question has always been: how can I maximize my dog-outfit synergy?

The first consideration is, of course, the breed. Dogs such as border collies naturally pair well with workaday or outdoor clothing: consider Engineered Garments, Battenwear, or Nigel Cabourn, as all of these brands perform admirably even when covered with hair. A bulldog can complement both vaguely-sleezy 70’s inspired menswear as well as 3-piece suits of heavy tweed , whereas a Borzoi may lend itself best to a fan of the Antwerp Six. Devotees to the house of Marc Jacobs will, of course, love bull terriers, whereas advocates of quirky menswear will be quick to point to Menswear Dog  as an example of why Shiba Inus make the perfect stylistic companion. Some dogs are as versatile as a navy blazer – Welsh Corgis, for example, go with just about anything.

Don’t be too concerned, however, as any dog can be the perfect match for their wearer’s peculiar clothing choices, and mixes often show the most aesthetic versatility. Take, for example, my good friend @konorobu‘s predilection for combining Rick Owens and Carol Christian Poell with his small and adorable adopted friend. This, of course, is additionally powerful due to the inherent gap-moe of the combination; or the charm of contradictory habits or personality traits. If you’re a man in a power suit, consider a Pomeranian. If you’re wearing head-to-toe Acronym, a Lhasa Apso will provide a well-groomed counterpoint to your edgy, apocalypse-ready exterior. There is no reason to feel pigeonholed in your wardrobe choices when accessorizing with dogs – experiment with outfits to see what works best with your companion. I favor a pair of adopted Shiba Inus, as I find the coloration and temperament lends itself nicely to indigo-dyed streetwear and the occasional jacket and trousers.

The second consideration is fur type and coloration. When accessorizing with dogs, it’s important to take note of ideal color combinations. Keep in mind that black-and-white is not the be-all, end-all of a fashionable companion. High-fashion aficionados will find that the black-and-tan of a Bernese Mountain Dog will go nicely with a monochrome look, and the subtle tones of a Blue Heeler will bring out the best in any colorful outfit. Texture is a secondary aspect; brushed tweeds go equally well with shaggy or shiny coats, and light linens and cottons are a perfect match for both high-fuzz-factor dogs as well as adorably soft and tiny companions.

Ultimately, there is no end to the number of ways you can accessorize with dogs. The fashionable options are limitless, especially when the personality of the dog in question is taken into consideration. Beyond the purely aesthetic advantages that dogs confer, there are innumerable health benefits that come from living with them. Ten out of ten doctors now recognize that accessorizing with dogs results in lower blood pressure, more Instagram likes, a higher sex drive, and funnier jokes1. This should not be taken lightly – for any of you who are struggling with wardrobe direction or how to maximize your swag levels, a dog can provide the boost you need to hone in on your style.

There are now multiple apps that allow users to rent dogs. Dogs of all shapes and sizes, from the tiny and yappy to the huge and drooling. Some of these apps are geared towards people who want to test the waters before adopting their own new best friend; others are designed as social meet-up or even dating tools. And ever better, your local Humane Society will have all kinds of dogs for you to meet, love, and even take home with you. Just make sure that you’re doing your homework before you take the plunge, because there’s nothing more un-chic than being a bad dog owner. If you’re diligent in your search, I’m sure you’ll find a companion, and I’m sure you won’t regret it – because all along, the best accessory to a happy life and a happy wardrobe is a doggy friendship.

  1. This is completely fabricated.
  2. Cover photo credit: Arianna Reggio

Member Focus: Claghorn

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Claghorn is another Styleforum member who plies his trade in the Classic Menswear “What Are You Wearing” thread. He’s known for pleasing combinations of solid colors that are sober without being boring. Add to that some very solid selfie skills, and you have a recipe for a much-beloved poster.

I joined Styleforum in the fall of 2012. I was 26 and had just left a very conservative office job in Seoul, South Korea. There I had to stick with a pretty strict uniform: gray, blue, or black suit, white shirt, and a necktie. I don’t think my wardrobe was particularly interesting: the suits were all Hugo Boss or brands along that line. I did have a number of ties, mostly from Thomas Pink, that I really liked, and after moving to a job that didn’t require a suit, I wanted to learn how to wear a tie with odd jackets. I really didn’t have a clue where to begin, so I registered on Styleforum.

Though my colleagues and friends were fluent in English, I was feeling out of touch with my language and my culture. As (questionably) useful as the information on SF was, I think what really drew me to the forum was the opportunity to interact with Westerners more regularly, even if it was through a virtual medium. Nevertheless, it was also through Styleforum that my sense of style developed. Where else but the internet would this occur? I didn’t want to dress like a Korean salaryman anymore, and “My dad taught me everything I knew about clothing” wasn’t going to work for me: he’s a solar physicist and dresses as I suspect most people imagine solar physicists dress.

For the first few months, I sort of blindly fumbled around, trying to figure out what spoke to me. At one point, I thought I liked loud jackets. I didn’t. I wasted a lot of money. It took probably a year for me to really figure out what I wanted to look like in terms of what I wore. The result is one that I am happy with, but I have also seen it called boring a derivative. I own a lot of blue jackets of varying colors, textures, and fabrics, because I like blue jackets. I own a lot of brown ties because I like brown ties. I am happiest in a blue jacket, a brown tie, and gray wool pants. There was once a “Dress like Claghorn” Friday challenge [Editor’s note: Claghorn did not win the Claghorn challenge], and I think that most, if not all, the participants played on some variation of that theme. My Instagram handle is @bluebrownandgrey.

Of course I don’t only wear blue jackets. Or brown ties. Just over half my wardrobe is made up of jackets and suits that aren’t blue, and though I probably wear brown ties more often than any other color, I wear green and blue ties pretty regularly. But I am pleased to be associated with that combination. It is simple and pleasing. When I go back and look at many of the images I saved as exemplars in my early days on Styleforum, they are just that: simple and pleasing.

 

 

 

 

Sunday Styles: Full Synthese

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styleforum full synthese outfit grid style guide style grid

 

What is the Full Synthese? Indulge me, if you will. Going Full Synthese is when you shamelessly wear head-toe toe Japanese hobo-chic brands, put on your favorite pair of sunglasses, and spend half the day at the coffee shop writing sestinas before cracking open a beer at noon.  The magic of this that you look so over-the-top that people’s eyes just glaze over and you kind of disappear in front of them. Then you can go back to your sestina without having to make small-talk with people who would otherwise be drooling over your dope threads.

First, chunky cardigan. Spare me the Dude quotes, and just embrace wearing a wool blanket. The weather is perfect for it. This needs to by something with an eye-catching pattern as opposed to a solid, which would be far too respectable to fit with the look we’re going for. Second, an indigo-dyed shirt for added authenticity. Third, Kapital Century denim, because you can never have too much sashiko in your life. Then some chunky, undyed leather boots, which you show off by wearing a single, huge cuff on your denim. Finally, a heavy leather belt, as you may remember from Styleforum ca. 2008-9. For patina.

This is perfect for the weather these days. Wearning a good chunky cardigan is very similar to wearing a warm oven, except more comortable and of course much more stylish. Just keep in mind that you have to accessorize with a dire lack of sleep, a to-go coffee cup, and the lack of a shower. Trust me: once you go Full Synthese, you’ll be loathe to dress like any other mildly well-known Styleforum member.

1. RRL Heavy Cardigan

2. Blue Blue Japan Cotton Dobby Shirt

3. Kapital “Okabilly” Century Denim

4. Hender Scheme MIP-14

5. Tanner Goods Standard Belt

Why I (Almost) Never Wear Black Clothing

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I almost never wear black clothing. It’s true. That’s because black clothing bores the hell out of me, and life’s too short as it is. I have seen a lot – a lot – of clothing sold by a lot of different retailers, and 9 times out of 10 when the season’s buy is all black it’s because consumers don’t know what the hell to do with anything else. Sure, there are exceptions, and I can already hear you lot frothing at the mouth, ranting about “dandyism” and “Baudelaire” and “anonymity” and no one cares so shut up and listen.

If your goal is to spend as little time as possible thinking about your clothing, great. If you want to ignore all the world’s beautiful, vibrant color, that’s valid. That’s your business. Wear all the black you want. I won’t be joining you, and here’s why: colors are beautiful. Whether it’s the deep tones of indigo, the coarse browns and greens of homespun wool, the crimson or gold of rich velvet, there are simply too many gorgeous things in the world to limit myself to the mundanity of black.

black clothing

Me, resolutely wearing as many colors at once as possible.

I own a handful of pieces of black clothing. A jacket or two, and a couple pairs of jeans. On the rare occasions when I do wear black, I wear one piece tops. When it’s sunny outside, and things are looking up, I can never bring myself to intentionally put a damper on the day. And when it’s grey or unpleasant out, and I’m feeling down, I’m not going to go out of my way to make things worse. There are endless examples of how to win with color in both the classic menswear style thread and its streetwear counterpart, so I feel I’m justified in pointing you in that direction. Plus, Peter wrote a great tailoring-focused article on color just these week. But even if you don’t wear a suit; even if you self-identify as an intellectual, artistic type, there’s no reason you need to wear black all the time.

“Wearing black is all about texture,” you might say. “And silhouette.” I have essentially the same reaction to these declarations as I do when bloggers tell me to “Up my game,” which is to close my laptop and stare at the ceiling for a solid thirty seconds. So yes, I call shenanigans, unless texture and silhouette somehow cease to exist in the presence of color. Black doesn’t offer me anything that colorful clothing doesn’t – in fact, it’s an absence of one of the small things that reliably brings a smile to my face, and I’m loathe to give that up. I appreciate the challenge of matching colors as well as textures, of comparing shades of blue and purple, and I love the beauty of colors that reflect the seasons changing around me.

And so, when I look at my closet in the morning, overflowing with colors and fabrics and shapes of all kinds, and I get to go through all the pieces one by one I feel – I feel…I feel as though my life would be much simpler if I just wore black every day.

 

Primer: Neapolitan Jacket Shoulder Style

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In both bespoke men’s tailoring as well as prêt-à-porter, jacket shoulder and sleeve style have now become details of greater importance thanks to a worldwide increase in both knowledge and interest in menswear. A connoisseur of sartorial matters always focuses the eye (primarily) on the jacket shoulder, and will notice if it “sits” (and takes the right forms) optimally.

These days, there are various models of jacket shoulder and sleeve styles for men’s jackets, and each one of them inhabits a particular niche. When you are shopping for a suit, be sure to note the shoulder and sleeve style, and don’t be shy to ask the tailor or sales associate to describe to you the construction process – as well as why the jacket in questions sports a particular style. This is not a comprehensive review of all styles and the construction methods that create those styles, but it should serve as a quick primer and conversation starter for any man interested in shoulder style and in Neapolitan tailoring

Keep in mind that most tailoring traditions favor a particular jacket shoulder and sleeve construction, which is accompanied by details that further define that stylistic tradition. For example, the below are all Italian, and in particular Neapolitan jackets, regardless of the jacket shoulder style, and are not necessarily representative of geographic tradition. In the future, we’ll cover tailoring traditions in depth, but here are three common Neapolitan shoulder styles to get you started on your journey to Neapolitan style. 

Natural shoulder (without padding) & sleeve con rollino:

The sleeve is raised above the jacket shoulder, and possesses a sense of fullness and roundness. The effect is created by pressing the allowances in the sleevehead towards the seam, and there is sometimes wadding placed into the sleevehead to create further fullness. In my opinion, this style is ideal for a wool blazer.

For more information about the tailoring construction, and what exactly “con rollino” means, I will refer you to custom tailor and Styleforum member @Jefferyd’s incredibly informative blog, Tutto Fatto a Mano.

Neapolitan shoulder style

Neapolitan shoulder (without padding) & manica a camicia (tribute to Neapolitan tailoring):

Otherwise known as spalla camicia, or shirt-sleeve construction, in this case the sleeve is gathered in a fashion that generates a harmonious effect, and gives an interesting detail to the jacket.  Neapolitan tailoring emphasizes movement and ease, and this construction imitates that of a shirt sleeve head. The result is a jacket shoulder that is comfortable and allows for a good deal of movement. The effect is created by pressing the allowances in the sleevehead towards the body of the jacket and gathering the fabric beneath the shoulder seam.

Neapolitan shoulder style

Padded shoulder & sleeve con rollino:

This is a tribute to English tailoring. You’ll notice that it results in the most built-up shoulders and rigid shape, and is designed to be reminiscent of antique military uniforms. In my opinion it is ideal for the most formal or elegant suits, such as this pinstripe one. In most cases, especially when buying in England, the English style will be accompanied by a built-up chest and nipped waist that creates a sharp V-shaped silhouette on the wearer for a slimming, rigid, and often slightly severe effect.

Neapolitan shoulder style

Neapolitan shoulder style

You can find more of Nicola’s thoughts and writing at www.nicolaradano.com, where he discusses his youthful take on Neapolitan style. Nicola’s ties are available at Spacca Neapolis. 

Community Design: The Massdrop Chukka

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If you spend time on Styleforum, you understand what it’s like to be part of an enthusiast community. You know the archetypes – from noob to tastemaker – and the abbreviations, from BB, ESF, and OCBD, to C&J and GMTO. You’ve also probably seen users band together to get the products they wanted – this is a core piece of any enthusiast community, and it’s why we created Massdrop. I’ve been a Styleforum member since 2011, and I’ve often been a part of those groups that are looking to put together something unique.

massdrop styleforum allen edmonds unlined suede chukka boot

That’s me, wearing the Massdrop x Styleforum x Allen Edmonds chukkas we put together.

Here at Massdrop, our job is to work with community members and help them engage with each other to find the products they want. You may recognize us from our affiliate thread on Styleforum, where we share some of our community-driven creations. By getting the community to work together (like they often do already), we’ve been able to get them the quality products they want for a better price. We’ve also found that if we work directly with brands to create new products, we can do even more to get the community what they want. If you’ve spent any time on Styleforum, you know that the people here are quite discerning. Almost any product, no matter how great, will inevitably be met with “if only this aspect were different, this would be perfect.” With our collaborative projects, our goal is to work with the manufacturers of these products to “tune” them to the desires of the community and offer them at a great price, resulting in an exclusive product that caters to what the community’s wants.

When we decided to kick off collaborations in the Massdrop Men’s Style community, the biggest question was who to partner with. We wanted to work with a brand with a strong forum following, as well as in-house manufacturing. Allen Edmonds quickly came out as a ideal choice – they have a huge fanbase on forums and beyond, and are a great go-to for those just getting into fine footwear. And while the quality of their products is quite high, many of the designs are less catered to the hardcore shoe enthusiast. Which led us to the question: what if they made a shoe specifically for us, the community?

The next step was landing on a style to pursue for the Massdrop x Styleforum project. We decided on the unlined suede chukka due to its popularity, as well as the fact that Allen Edmonds had released a few models that were ripe for tweaking (you can find many threads on the forum discussing the pros and cons of Allen Edmonds models like the Amok and Mojave). I reached out to Fok and pitched the idea to him. He has a long history of partnering with Allen Edmonds on the forum, and was able to perform the critical step of getting Massdrop in touch with Paul, the CEO of Allen Edmonds, which got the ball rolling.

I worked with Allen Edmonds production and the Massdrop team to learn about what the community’s options were in terms of materials, design, and so forth. We started working on prototypes, and once I had some samples to look at I reached out to respected members on Styleforum. With their help, we were able to hone in on what exactly a forumite would want in these shoes. After a couple months of prototyping, we landed on a style we all felt was a winner, and from there it was pretty easy.

massdrop styleforum allen edmonds unlined suede chukka boot

As you can tell, a lot of thought and a lot of details went into making these.

The most important aspects that we worked on were the material and the last. For the the suede, we sampled a few materials from CF Stead’s Janus line, and quickly agreed that Janus calf was the right call, even with the increased cost. For last shape, we wanted to shoot for the middle ground and offer something with a comfortable round shape for casual wear, without being too shapeless. Allen Edmonds’ 511 last was the natural choice, and the fact that it fits most people well was the icing on the cake.

 

From there, it was simple – introduce the shoes to the Massdrop and Styleforum communities. The project went live last week, and we’ve since sold over 700 pairs. The best part, however, is that it’s just the beginning. With this powerful example of what happens when a brand partners directly with the community they serve, we’ll be able to continue bringing projects like this to fruition. Styleforum members are full of good project ideas, and we’re going to do our best to keep up.

The Massdrop Allen Edmonds unlined chukka is available for purchase here.

The Styleforum Journal is supported by retailers such as Massdrop. This article is sponsored content.